All LIPPI, Filippino Oil Paintings

Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
 
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LIPPI, Filippino Adoration of the Magi (detail) sg oil on canvas


Adoration of the Magi (detail) sg
Adoration of the Magi (detail) sg
Painting ID::  7953 		  1496 Oil on wood Galleria degli Uffizi, Florence
  1496 Oil on wood Galleria degli Uffizi, Florence

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LIPPI, Filippino Allegory sg oil on canvas


Allegory sg
Allegory sg
Painting ID::  7954 		  c. 1498 Oil on wood, 29 x 22 cm Galleria degli Uffizi, Florence
  c. 1498 Oil on wood, 29 x 22 cm Galleria degli Uffizi, Florence

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LIPPI, Filippino Allegory of Music or Erato sg oil on canvas


Allegory of Music or Erato sg
Allegory of Music or Erato sg
Painting ID::  7955 		  c. 1500 Tempera on panel. 61 x 51 cm Staatliche Museen, Berlin
  c. 1500 Tempera on panel. 61 x 51 cm Staatliche Museen, Berlin

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LIPPI, Filippino The Marriage of St Catherine gwt oil on canvas


The Marriage of St Catherine gwt
The Marriage of St Catherine gwt
Painting ID::  7956 		  1501 Panel S. Domenico, Bologna
  1501 Panel S. Domenico, Bologna

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LIPPI, Filippino The Marriage of St Catherine (detail) sg oil on canvas


The Marriage of St Catherine (detail) sg
The Marriage of St Catherine (detail) sg
Painting ID::  7957 		  1501 Panel S. Domenico, Bologna
  1501 Panel S. Domenico, Bologna

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     LIPPI, Filippino
     Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.

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